African Fundamentalism: A Literary and Cultural Anthology of Garvey's Harlem Renaissance

Front Cover
Tony Martin
The Majority Press, 1991 - Biography & Autobiography - 363 pages
The real roots of the Harlem Renaissance lie in the Garvey Movement. Zora Neale Hurston, Alain Locke and Claude McKay all published in Garvey's Negro World before the "mainstream" Renaissance got going. Afro-America's first book reviews and literary competitions came out of the Garvey Movement. This volume presents a rich treasury of literary criticism, book reviews, poetry, short stories, music and art appreciation, polemics on the Black aesthetic and other never before published literary and cultural writings of Garvey's Harlem Renaissance. Authors range from the unknown to major literary and political figures whose Garvey connections few will suspect
 

Contents

African Fundamentalism MARCUS GARVEY 1924
4
Leadership That Inspires ARNOLD HAMILTON
11
Marcus GarveyA Defense ERIC D WALROND 1922
17
On Batouala
30
Why René Marans
36
On J A Rogers
48
aaaaa
57
On Dr W E B DuBois and Others
71
Africa
199
The Black Woman
216
21
226
Moralizing
235
Nature
239
25
240
General Considerations
248
Black Shows on Broadway
261

I Am A NegroAnd Beautiful
83
Walrond of the Negro World Writes On Being
89
On the Messenger
92
Literary Works by Black Authors
110
Literary Works by White Authors
128
The Race Question
135
Black History
150
NonFiction by White Authors
160
The New Negro Spirit
166
To Marcus Garvey
176
Black Man in the White Mans War
182
Poems of Home
189
Blacks and The Cinema
268
Eric D Walrond Amy Jacques Garvey and Zora Neale
276
Am An American ERIC D WALROND 1923
282
24
285
Bits of Our Harlem 2 ZORA NEALE HURSTON
288
Quarrels With Claude McKay
308
Arthur Schomburgs Library
315
The Crisis Draws the Color Line
321
Contributors
345
Bibliographical Note
355
Copyright

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